New Books in Literary Studies

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Margaret Ziolkowski’s Mega-Dams in World Literature: Literary Responses to Twentieth-Century Dam Building (University of Wyoming Press, 2022) reveals the varied effects of large dams on people and their environments as expressed in literary works, focusing on the shifting attitudes toward large dams that emerged over the course of the twentieth century. Ziolkowski covers the enthusiasm for large-dam construction that took place during the mid-twentieth-century heyday of mega-dams, the increasing number of people displaced by dams, the troubling environmental effects they incur, and the types of destruction and protest to which they may be subject.  Using North American, Native American, Russian, Egyptian, Indian, and Chinese novels and poems, Ziolkowski explores the supposed progress that these structures bring. The book asks how the human urge to exploit and control waterways has affected our relationships to nature and the environment and argues that the high modernism of the twentieth century, along with its preoccupation with development, casts the hydroelectric dam as a central symbol of domination over nature and the power of the nation state. Beyond examining the exultation of large dams as symbols of progress, Mega-Dams in World Literature takes a broad international and cultural approach that humanizes and personalizes the major issues associated with large dams through nuanced analyses, paying particular attention to issues engendered by high modernism and settler colonialism. In this episode, Ibrahim Fawzy interviews Margaret Ziolkowski about the symbolism of mega-dams, the environmental and social consequences of dam building, as well as the role of literature in critiquing those consequences. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Reading with an "I" to the Heavens: Looking at the Qumran Hodayot Through the Lens of Visionary Traditions (de Gruyter, 2018) examines the collection of prayers known as the Qumran Hodayot (= Thanksgiving Hymns) in light of ancient visionary traditions, new developments in neuropsychology, and post-structuralist understandings of the embodied subject. The thesis of this book is that the ritualized reading of reports describing visionary experiences written in the first person "I" had the potential to create within the ancient reader the subjectivity of a visionary which can then predispose him to have a religious experience. This study examines how references to the body and the strategic arousal of emotions could have functioned within a practice of performative reading to engender a religious experience of ascent. In so doing, this book offers new interdisciplinary insights into meditative ritual reading as a religious practice for transformation in antiquity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women. Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science (Princeton University Press, 2024) intertwines the stories of these two luminary nineteenth-century minds whose thought and writings captured the awesome possibilities of the new sciences and at the same time strove to preserve the magic of nature. Just as Darwin’s work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson’s poetry was shaped by her education in botany, astronomy, and chemistry, and by her fascination with the enchanting possibilities of Darwinian science. Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science were rapidly evolving, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colorful portrait of a remarkable century that transformed how we see the natural world. Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder. Renée Bergland is professor of literature and creative writing at Simmons University. She is the author of Maria Mitchell and the Sexing of Science: An Astronomer among the American Romantics and The National Uncanny: Indian Ghosts and American Subjects. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies