My guest in this week’s Book Club podcast is the novelist and critic James Bradley whose new book is Deep Water: The World in the Ocean. He tells me how we need to rethink our relationship with the sea and the life it contains, why fish are much more intelligent than we are used to imagining, and why – amid planetary doom – there’s still room for hope.
--------
48:46
Colin Greenwood: How to Disappear - A Portrait of Radiohead
Sam's guest on today’s Book Club podcast is the musician, writer and photographer Colin Greenwood, who joins me to discuss his new book of photographs and memoir How To Disappear: A Portrait of Radiohead. Colin tells me about the band’s Mr Benn journey, photographing what you want to see… and what it takes to make Radiohead open a gig with 'Creep'.
Produced by Patrick Gibbons and Oscar Edmondson.
--------
33:02
Philip Marsden: Under A Metal Sky
My guest in this week's Book Club podcast is Philip Marsden, whose new book Under A Metal Sky: A Journey Through Minerals, Greed and Wonder looks in thrilling and surprising detail at the wonders that are to be found beneath our feet. On the podcast he takes me through the meanings that rocks and metals have had through human history, from the bronze age, via the alchemist's quest for the philosopher's stone, to the present day.
--------
33:30
Lissa Evans: The Surreal Joys of Producing Father Ted
My guest on this week's Book Club podcast is the novelist Lissa Evans, talking about her previous life as the producer of the sitcom Father Ted – as described in her new book Picnic on Craggy Island: The Surreal Joys of Producing Father Ted. She tells me about the collaborative genius of Graham Linehan and Arthur Mathews, the unusual experience of having to cut laughter out of episodes because there was simply too much of it, and sending a sheep to make-up.
--------
30:23
What we get wrong about The Great Gatsby
In this week’s Book Club podcast, we’re contemplating the astounding achievement of F. Scott Fitzgerald’s The Great Gatsby in its 100th year. My guest is Professor Sarah Churchwell, author of Careless People: Murder, Mayhem and the Making of The Great Gatsby, as well as the introduction to Cambridge University Press’s new edition of the novel. Sarah tells me what we get wrong about this Jazz Age classic, why Fitzgerald’s antisemitism shouldn’t necessarily get him cancelled, and how Fitzgerald’s great novel traces the arc that leads from 1925 to Donald Trump’s second inauguration.