The US Government finally disclosed files on UFOs / UAPs, sort of. Much of what was released included black dots, witnesses to balloons and kites, bright lights seen in the sky, and stories so old they are part of both pop culture and UFO-mythology, including incursions over nuclear-related facilities such as national labs. Newer records released somehow are even less credible than those from the 1940s, the latter of which have already been public knowledge. These include “ghost rockets” and “foo fighters.” The same is true for Apollo reports of strange phenomena. So what was this “disclosure” all about?
Could it simply be a distraction? Could it be that the real “evidence” will be presented in Disclosure Day when it is released as a fictional film?
Furthermore, there are some real core issues here that need addressing:
UFOs are NOT proof of aliens or inter-dimensionsals, nor are they evidence of fallen angels, nephilim, demons, etc.
When has the government ever instructed the public to make their own decisions, especially about controversial subjects like UFOs — wouldn’t this lead to grandiose fantasies being reinforced by an official stamp? … Could it be a rewriting of UFO history in preparation to disclose that there actually is an explanation for what was released — this is exactly what the intelligence community (CIA) and military suggested doing in the 1950s (Robertson Panel Report). In other words, are these files nothing more than a 75 year old policy being reinforced? The real conspiracy appears to be, then, that the government has no idea what these things are but were worried the public would figure it out before they could, and before they could exploit it for their own purposes.
Why would ancient aliens use propulsion systems and space suits recognizable only to modern man and his inventions? Wouldn’t they be far more advanced? Or could it be that the subject changes with technology and understanding of the natural world?
Project Blue Beam was NOT a government plan to hoax an alien invasion; it was a theory proposed by a Canadian journalist inspired by science fiction; it was based on staging the second coming of a Messiah.
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