Dior Talks

La nouvelle série Dior Talks, présentée par la journaliste parisienne Katya Foreman, met à l'honneur la très attendue neuvième édition de Dior Lady Art. Pour l’occasion, onze artistes de renommée internationale ont été invités à réinterpréter l’emblématique sac Lady Dior et à en faire une œuvre d’art unique.Passionné de nature, tout comme Monsieur Dior, notre invité est l’artiste Duy Anh Nhan Duc, né au Vietnam et installé à Paris. Véritable poète botanique, il crée des installations éthérées en utilisant des mauvaises herbes et des fleurs sauvages, capturant l’essence d’un univers enchanteur. L’artiste récolte ces plantes oubliées autour de son atelier au Pré-Saint-Gervais, celles qui poussent entre les fissures des trottoirs et qui rappellent les jeux de son enfance. Parmi elles, salsifis, chardons, blé, trèfles et akènes de pissenlit qui, lorsqu’on souffle dessus, s’envolent en une myriade de graines. Ces végétaux sont ensuite minutieusement séchés dans son atelier avant d’être intégrés à ses œuvres, dans une exploration fascinante des cycles de la vie et de la fragilité de l’instant présent.Pour Dior Lady Art, l’artiste a transposé sa passion des plantes sauvages sur un Lady Dior immaculé, alliant simplicité organique et élégance virtuose. Une profusion de plantes en relief orne le cuir vegan, rehaussée par des broderies délicates. En lieu et place du cannage emblématique, un treillis métallique finement travaillé symbolise un jardin ouvert à tous. Le sac se pare également de branches dorées en métal précieux et cache un secret : un talisman unique, une graine de pissenlit dorée et préservée à jamais dans une goutte de résine.Découvrez cet épisode pour plonger dans l’univers fascinant de l’art végétal de Duy Anh Nhan Duc.Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to t ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art.Collaborating with Dior Lady Art for a second consecutive season, artist Jeffrey Gibson, a member of the Mississippi Band of Choctaw Indians and Cherokee descent, returns with a piece inspired by his 2017 punching-bag sculpture “LOVE IS THE DRUG,” themed around the complexities of loving and being loved. An advocate of artisans, materials, pattern and adornment, the New York-based artist – known for his ultra-colorful works that combine traditional Native American craftsmanship with a bold, almost psychedelic aesthetic – also plays with texts and slogans, embracing the power of speech as he celebrates the forgotten and the marginalized. Thus, his latest Lady Dior is fully beaded on one side, with the word “Love” repeated three times in a signature LCD-style font, while the other is loaded with over 70 jangling 3D-printed hearts. “Being a person of color traveling around the world – I’ve lived in London, South Korea, Germany and different states in the United States – I think I’ve really always paid attention to how people dress themselves and adorn themselves,” says the artist. “I’m really interested in different kind of movements, whether it’s feminist movements, LGBTQ movements or Indigenous liberation movements, and the ways that we codify that in how we dress.”Download the episode to learn more about Jeffrey Gibson’s fascinating universe.Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. Our latest guest is artist Hayal Pozanti, who explores dreaming as a collective power to create a new reality. The Turkish-born, US-based artist lives in Manchester in rural Vermont, a town surrounded by forest-covered mountains, endless lakes and rivers and waterfalls and greenery. Drawing on the tradition of plein air painting, Pozanti creates preliminary pastel sketches during hikes which she transforms into large-scale landscapes, painting with oil sticks, her fingers, her hands and body. The artist draws upon her experiences of the natural world, her dreams and her intuitions, directing the gaze towards a fictional elsewhere that feels irresistibly real. For Dior Lady Art, Pozanti has created three Lady Dior bags inspired by her art and travels into the heart of the mountains. The first two designs feature details drawn from her passion for trekking: sheepskin inserts reminiscent of the lining of hiking boots, custom carabiners hand-crafted by the Dior Ateliers and feet recalling the star-shaped tips of walking poles. The iconic “D, I, O, R” charms are translated into hieroglyphs conceived by the artist.  Based on a painting Pozanti created on a beach during a full moon, the third model is a clutch painted with a nocturnal panorama and embroidered with comet-like trails of rhinestones; the interior is covered with mirrors, offering a reflection of oneself and the earth. “It's a painting that encompasses all that is magic about our world,” says the artist. Download the episode to learn more about Hayal Pozanti’s fascinating universe.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique piece of art. With his 360-degree vision of the art world, as a gallerist and curator, our latest guest, the renowned Chinese contemporary artist Xu Zhen, combines installation, video, painting and performance in a singular, inventive universe that explores subjects ranging from socio-political taboos to consumerism and the principles of the art market. The artist’s fascinating works subvert – not without irony – notions of artisanship and originality (relative to mass production), as well as concepts of ownership and globalization in the digital age. He thwarts and questions their effects on the art market, making visible certain dissonances and the resulting absence of logic. For Dior, the conceptual artist, who has exhibited at a number of prestigious art institutions and biennales internationally, including the Venice Biennale, MoMA PS1 in New York and the Hayward Gallery in London, wanted to reflect on the value and meaning of discourse. Inspired by his “Metal Language” series – and made of transparent plexiglass and mirror-effect printed fabric – his two versions of the Lady Dior are adorned with golden and silver phrases and exclamations applied on a reflective surface to evoke a screen. The words are edged with gold and silver chains, like speech bubbles, serving as symbols of the emptiness of a languagethat no longer has any real functionality.Tune in to the episode to learn more about the artist’s playful and thought-provoking concept behind the bags.Hosted by Ausha. See ausha.co/privacy-policy for more information.