'Prod: Essays On Music Production In The Human Experience', a Lux Cache podcast.

• CONVERSATION: Juliana Huxtable (DJ, multidisciplinary artist)

  DJ and multidisciplinary artist Juliana Huxtable joins Kai Whiston in our newest episode of Prod, delving into the post-COVID cultural explosion surrounding DJing, her transformative studio collaborations with SOPHIE, the multidimensional nature of her artistic practice, and the ever-evolving landscape of contemporary nightlife.As a leading voice in nightlife culture, Juliana Huxtable has reshaped the intersections of art, music, and identity. From her early explorations with Virtual DJ at house parties to establishing herself as a pivotal figure in the club scenes of New York and Berlin, her journey embodies the transformative power of nightlife. Her practice spans DJing, visual art, poetry, and performance, showcasing a visionary approach that continues to push the boundaries of contemporary club culture.2024 © Whiston Digital / Lux Media  |  luxcache.com

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• CONVERSATION: Michail Stangl (curator, cultural strategist)

  'Prod: Essays On Music Production In The Human Experience' is a podcast that examines the crucial ways that sound, music, and all aspects of audio culture have shaped our lives. Today we are joined by influential curator and cultural strategist Michail Stangl (opium_hum), discussing the evolution of curatorial standards in music, the dynamic balance between the underground's niche origins and its global impact, and the considerations of local music scenes that resonate on a worldwide scale. As a leading voice in underground music, Stangl has reshaped the landscape where avant-garde, activism and club cultures intersect. As one of Boiler Room’s primary architects, he was essential in its evolution from a DIY webcast to the world’s largest underground music platform. Beyond Boiler Room, Stangl co-curates Berlin’s pioneering CTM Festival, showcasing a global reach of experimental music in spaces such as Berghain and OXI. Through his ongoing work in radio, festivals, technology and social causes, Stangl is a felt presence of innovation and community within the music world, merging grassroots movements with global connectivity. You can find our library of tools, tutorials, sample packs, and insights into experimental music production over at LUXCACHE.COM 2024 © Whiston Digital / Lux Media  |  luxcache.com

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  1:14:02
• A Slow Death of Music Media & Ever Diminishing Contexts

  What happens when the once-vital world of music media collapses under the weight of algorithmic convenience? As music blogs and niche publications fade into abandonment, how do we navigate the diminishing context that once enriched our understanding of sound and culture? When hot takes, instant gratification and trend speculations have overtaken thoughtful critique, what is lost in the conversation around music? Why, in a world of endless content, do we find ourselves patient and deliberate when curating our own musical experiences in the digital deluge? Are we witnessing the slow death of music media, or is there still a margin to revive the depth and intentionality it once embodied?

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• CONVERSATION: Sarah Belle Reid (composer, experimental music educator)

  'Prod: Essays On Music Production In The Human Experience' is a podcast that examines the crucial ways that sound, music, and all aspects of audio culture have shaped our lives. Today, we're joined by Sarah Belle Reid, a groundbreaking trumpet player, composer, and innovator in music technology. Sarah is not only celebrated for her pioneering work in experimental music and interactive systems but also for her commitment to exploring the intersection between acoustic tradition and modern electronics. You can find our library of tools, tutorials, sample packs, and insights into experimental music production over at LUXCACHE.COM

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  1:03:04
• Digital Audio Fantasy: A Composite Of Modern Sound

  How do genre labels like 'hyperpop' and 'deconstructed club' affect an artist's sense of ownership and identity? How do artists reconcile the need for labels with the desire for creative freedom? What is the role of 'Digital Audio Fantasy' in transcending traditional genre classifications? Can the manipulation of digital sonic elements truly simulate new, otherworldly environments? How does the isolation of modern-day music production affect a producer’s creative process? How has the commodification of auditory disruptions transformed their role in music production? Will the trend towards shorter, more immediate gratification in music composition continue to dominate? How does prioritising efficiency over quality in audio formats affect the listening experience? Can music retain its intrinsic value amidst the pressures of commodification in the digital age? In what ways does 'Digital Audio Fantasy' serve as a cultural and philosophical shift in contemporary soundscapes? How can exploring fantasy in music deepen our understanding of the digital cosmos? 2024 © Whiston Digital / Lux Media  |  ⁠⁠luxcache.com

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O 'Prod: Essays On Music Production In The Human Experience', a Lux Cache podcast.